In this workshop, we will closely examine how land and language are connected forces, both in
contemporary poetry and in our own writing. Poets often turn to the natural world as a means
for investigating that which is hidden from view. Flora and fauna can reflect a speaker’s
interiority, refract a memory, or represent a specific cultural history. Inside, outside. Outside,
inside. Yet land has never been a neutral component—neither has language.
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How does place enter a poem? When is incorporating the natural world effective, and when is it
a deflection? How might we encounter the landscape around us to unsettle our diction and risk
new forms?
Together we will read a selection of poems that explicitly reference the natural world, analyzing
these works to better understand both their experimental and formal elements. Classes will begin
with close reading and discussion, then move into workshop, where we will offer feedback and
reflection on one another’s writing.
Open to all writers: emerging, established, or lapsed. Non-native English speakers are very
welcome. Class is limited to 10 participants.